{"id":2205,"date":"2023-09-06T19:47:04","date_gmt":"2023-09-06T19:47:04","guid":{"rendered":"https:\/\/duophebus.com\/?page_id=2205"},"modified":"2023-09-16T07:58:02","modified_gmt":"2023-09-16T07:58:02","slug":"discographie","status":"publish","type":"page","link":"https:\/\/duophebus.com\/de\/discographie\/","title":{"rendered":"discographie"},"content":{"rendered":"
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Convergences <\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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8 Septembre 2023<\/b><\/i><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Convergences
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\u00a0<\/p>

Contient les pi\u00e8ces suivantes :<\/p>

– Fran\u00e7ois NARBONI :\u00a0Jour de Col\u00e8re<\/i>\u00a0(commande du Duo Ph\u00e9bus)<\/p>

<\/i>– Claude DEBUSSY :\u00a0La Fille aux Cheveux de Lin<\/i><\/p>

– Jacques IBERT :\u00a0Entr’acte<\/i><\/p>

– Toru TAKEMITSU :\u00a0Umi e (Toward the Sea)\u00a0<\/i><\/p>

<\/i>– Anders KOPPEL :\u00a0Perpetuum Mobile<\/i>\u00a0(commande du Duo Ph\u00e9bus)<\/p>

– Gabriel FAUR\u00c9 :\u00a0Sicilienne en sol mineur<\/i>, op. 78<\/p>

– Camille SAINT-SA\u00cbNS :\u00a0Fantaisie en la majeur,\u00a0<\/i>op. 124<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Homerecords Studio <\/strong><\/em>
sortie le 8 septembre 2023<\/strong><\/em>
Disponible en CD physique et en digital sur les plateformes de streaming <\/strong><\/em>
Prix du CD physique : 19,50\u20ac<\/strong><\/em><\/p>

Si vous souhaitez acheter le CD physique, merci de nous contacter \u00e0 l’adresse duophebus@protonmail.com<\/strong><\/em><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Extrait du livret<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Convergence<\/h3>

Un rapide coup d\u2019oeil dans le dictionnaire \u00e0 l\u2019entr\u00e9e \u00ab convergence \u00bb permet de constater que ce mot a de multiples acceptions. Parmi les nombreuses d\u00e9finitions recens\u00e9es, nous en reproduisons quatre ci-dessous :<\/p>

1. Fait de tendre vers un m\u00eame but ou un m\u00eame r\u00e9sultat<\/p>

2. (Physique) Propri\u00e9t\u00e9 des rayons lumineux qui se dirigent vers un m\u00eame point<\/p>

3. (Biologie) Ph\u00e9nom\u00e8ne selon lequel des \u00eatres d\u2018esp\u00e8ces diff\u00e9rentes pr\u00e9sentent des caract\u00e8res communs d\u00fbs \u00e0 une adaptation \u00e0 leur milieu<\/p>

4. Fait de pr\u00e9senter des analogies, des points communs<\/p>

C\u2019est bien pour sa richesse polys\u00e9mique que nous avons d\u00e9cid\u00e9 de donner ce nom \u00e0 notre premier album : il nous semble en effet correspondre tout \u00e0 fait \u00e0 la d\u00e9marche artistique que nous poursuivons.<\/p>

Une rencontre entre deux personnes et deux instruments<\/h3>

La convergence la plus \u00e9l\u00e9mentaire consiste bien entendu en la mise en commun de nos efforts dans ce projet artistique. Au-del\u00e0 de cette \u00e9vidence, il s\u2019agit \u00e9galement d\u2019une association entre deux instruments souvent oppos\u00e9s dans notre aire culturelle. Si ceux-ci se diff\u00e9rencient fortement par leur mode de production du son (par frottement pour le violon ; par percussion pour le marimba), ils se distinguent \u00e9galement par leur place dans l\u2019histoire de la musique occidentale.<\/p>

En Europe, le violon est en effet consid\u00e9r\u00e9 depuis plusieurs si\u00e8cles comme un instrument noble. Il b\u00e9n\u00e9ficie d\u2019une litt\u00e9rature abondante et a pu compter sur diverses traditions de jeu favorisant l\u2018\u00e9mergence d\u2018\u00e9coles nationales. \u00c0 l\u2019oppos\u00e9, le marimba, m\u00eame s\u2019il puise ses racines dans des instruments ethniques tr\u00e8s anciens, n\u2019existe dans sa forme moderne que depuis le d\u00e9but du XXe si\u00e8cle. Les techniques de jeu complexes ne se sont d\u00e9velopp\u00e9es que depuis quelques dizaines d\u2018ann\u00e9es. La litt\u00e9rature est encore relativement maigre, compar\u00e9e \u00e0 celle d\u2018instruments comme le piano ou le violon.<\/p>

Transcriptions et commandes d’oeuvres originales<\/h3>

Ces observations nous am\u00e8nent forc\u00e9ment \u00e0 aborder la question du r\u00e9pertoire pour la formation marimba-violon. Nous n\u2019\u00e9tonnerons personne en affirmant que celui-ci est tr\u00e8s r\u00e9duit, m\u00eame si plusieurs \u0153uvres de tr\u00e8s bonne qualit\u00e9 existent. Devant ce constat, nous avons d\u00e9cid\u00e9 d\u2019avancer simultan\u00e9ment dans deux directions.<\/p>

– D\u2019une part, r\u00e9aliser par nos propres soins des transcriptions de pi\u00e8ces issues des \u00e9poques baroque, classique, romantique et moderne.<\/p>

– D\u2019autre part, solliciter des compositeurs actuels pour composer des \u0153uvres originales pour notre duo. Ce travail de cr\u00e9ation est essentiel \u00e0 nos yeux.<\/p>

Les morceaux choisis pour figurer dans cet album refl\u00e8tent cette d\u00e9marche.<\/p>

Convergences encore : la r\u00e9union de la musique du pass\u00e9 avec celle \u00e9crite aujourd\u2019hui, ainsi que la rencontre artistique et le travail en commun avec les diff\u00e9rents compositeurs sollicit\u00e9s.<\/p>

Un id\u00e9al philosophique<\/h3>

Revenons aux d\u00e9finitions du mot \u00ab convergence \u00bb. La notion commune sous-tendue est celle de \u00ab\u00a0sens\u00a0\u00bb. Le philosophe Fran\u00e7ois Cheng nous dit que ce mot contient 3 orientations diff\u00e9rentes : sensation, direction et signification. Ces trois dimensions s\u2019organisent en quelque sorte par \u00e9tage : lorsqu\u2019un \u00eatre humain est touch\u00e9 par la beaut\u00e9, celle-ci le porte \u00e0 suivre une voie plut\u00f4t qu\u2019une autre. Cette voie prend ensuite une dimension spirituelle et existentielle profonde.<\/p>

La musique n\u2019est donc pas seulement une distraction agr\u00e9able, mais doit provoquer un changement profond dans la conscience de l\u2019individu. Elle a la facult\u00e9 de parler \u00e0 notre \u00eatre profond et \u00e0 apporter de la clart\u00e9 \u00e0 l\u2019esprit humain : nous en sommes intimement persuad\u00e9s. Comme le dit l\u2019immense Daniel Barenboim : \u00ab [la musique] n\u2019est pas seulement belle, \u00e9mouvante, envo\u00fbtante, r\u00e9confortante ou passionn\u00e9e, m\u00eame si, \u00e0 l\u2019occasion elle peut \u00eatre tout cela. La musique est une partie essentielle de la dimension physique de l\u2019esprit humain \u00bb. De notre point de vue d\u2019interpr\u00e8tes, cela implique \u00e0 la fois une d\u00e9marche \u00e9thique et esth\u00e9tique.<\/p>

La mise en relation d’\u00eatres humains<\/h3>

Dans le meilleur des cas, la musique permet l\u2019\u00e9mergence d\u2019une forme de communion entre les diff\u00e9rents acteurs pr\u00e9sents. Ces moments de gr\u00e2ce, rares et pr\u00e9cieux, sont inoubliables. Il s\u2019agit bien entendu ici de la forme la plus \u00e9lev\u00e9e de convergence. Toutes les soci\u00e9t\u00e9s humaines \u00e0 travers l\u2019histoire ont en effet reconnu ce pouvoir profond de la musique, ce qui explique son utilisation intensive lors de rituels religieux. Plusieurs cosmogonies de civilisations anciennes font d\u2019ailleurs d\u00e9buter la cr\u00e9ation du monde par un son, premi\u00e8re force cr\u00e9atrice qui conduit du chaos \u00e0 l\u2019ordre. Comme si la musique pr\u00e9c\u00e9dait et pr\u00e9sidait \u00e0 la cr\u00e9ation de l\u2019univers…<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Convergences 8 Septembre 2023 Convergences \u00a0 Contient les pi\u00e8ces suivantes : – Fran\u00e7ois NARBONI :\u00a0Jour de Col\u00e8re\u00a0(commande du Duo Ph\u00e9bus) – Claude DEBUSSY :\u00a0La Fille aux Cheveux de Lin – Jacques IBERT :\u00a0Entr’acte – Toru TAKEMITSU :\u00a0Umi e (Toward the Sea)\u00a0 – Anders KOPPEL :\u00a0Perpetuum Mobile\u00a0(commande du Duo Ph\u00e9bus) – Gabriel FAUR\u00c9 :\u00a0Sicilienne en sol […]<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-2205","page","type-page","status-publish","hentry"],"yoast_head":"\ndiscographie - 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